August 9, 2019

Lana Del Rey’s “Looking for America” Is a Dream for an America Without Mass Shootings

All proceeds from the song will go to relief funds for victims of the Gilroy, El Paso, and Dayton shootings.

Panoramic/ZUMA

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“I’m  still looking for my own version of America, one without the gun, where the flag can freely fly. No  bombs in the sky, only fireworks when you and I collide, it’s just a dream I had in mind,” sings Lana Del Rey as she opens up the chorus on her newest track, “Looking For America.” In teasing the song on Instagram, Del Rey was explicit about its subject: 

Hi folks came back early from Montecito with my brother this morning and asked Jack Antonoff to come into town because I had a song on my mind that I wanted to write. Now I know I’m not a politician and I’m not trying to be so excuse me for having an opinion-but in light of all of the mass shootings and the back to back shootings in the last couple of days which really affected me on a cellular level I just wanted to post this.

Del Rey’s whole brand is nostalgia—not for a specific era but for some vague sense of 20th century Americana situated somewhere between the Camelot of the Kennedys and the Laurel Canyon of the ’70s. There’s the Jackie Kennedy inspired video for “National Anthem.” (A$AP Rocky is featured as the John F. Kennedy doppelgänger.) There’s her song titled “American.” There’s her cover art. It’s nostalgia for nostalgia itself. 

Her talent for evoking a place that never was is brought fully to bear on “Looking For America,” one of her best tracks to date. The song’s beauty is in the lyrics. They’re full of classic Del Rey nostalgia, yet instead of defaulting to escapism as she usually does (“High By The Beach“), she wanted to depict a shattering reality. “Pulled over to watch the children in the park, we  used to only worry for them after dark,” she sings. “I used to go to drive-ins and listen to the blues, so many things that I think twice about before I do, no.”

That last lyric reminds me of the horrifying video of people fleeing Times Square after mistaking a motorcycle backfiring for gun shots.

Places of worship, music festivals, schools, bars, shopping centers. The unfortunate reality of living in America means that we have to be prepared for any public space to become a war zone within minutes.

“Looking For America” is tasteful and thorough—all proceeds of the songs are going to relief programs for the shootings. Del Rey has taken on one of the most pressing issues of the moment and managed to capture the ambient longing for relief.

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WHO DOESN’T LOVE A POSITIVE STORY—OR TWO?

“Great journalism really does make a difference in this world: it can even save kids.”

That’s what a civil rights lawyer wrote to Julia Lurie, the day after her major investigation into a psychiatric hospital chain that uses foster children as “cash cows” published, letting her know he was using her findings that same day in a hearing to keep a child out of one of the facilities we investigated.

That’s awesome. As is the fact that Julia, who spent a full year reporting this challenging story, promptly heard from a Senate committee that will use her work in their own investigation of Universal Health Services. There’s no doubt her revelations will continue to have a big impact in the months and years to come.

Like another story about Mother Jones’ real-world impact.

This one, a multiyear investigation, published in 2021, exposed conditions in sugar work camps in the Dominican Republic owned by Central Romana—the conglomerate behind brands like C&H and Domino, whose product ends up in our Hershey bars and other sweets. A year ago, the Biden administration banned sugar imports from Central Romana. And just recently, we learned of a previously undisclosed investigation from the Department of Homeland Security, looking into working conditions at Central Romana. How big of a deal is this?

“This could be the first time a corporation would be held criminally liable for forced labor in their own supply chains,” according to a retired special agent we talked to.

Wow.

And it is only because Mother Jones is funded primarily by donations from readers that we can mount ambitious, yearlong—or more—investigations like these two stories that are making waves.

About that: It’s unfathomably hard in the news business right now, and we came up about $28,000 short during our recent fall fundraising campaign. We simply have to make that up soon to avoid falling further behind than can be made up for, or needing to somehow trim $1 million from our budget, like happened last year.

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