The Guilty Pleasures of Deerhunter’s Bradford Cox

Photo by <a href="http://www.flickr.com/photos/anousonne/">anousonne</a> under a CC license.

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Bradford Cox is growing up. As the singer and primary songwriter of Atlanta-spawned Deerhunter, and under his solo moniker Atlas Sound, his music has often bridged the closer-than-you’d-think divide between pop accessibility and experimentation. But early Deerhunter releases tended toward noise and bombast, an overt exertion of youthful energy and chaos. With each subsequent release, with Deerhunter and on his own, Cox has increasingly explored the more contemplative side of his musical coin, and to great effect. His 2008 Microcastles/Weird Era Cont. contained some of his band’s catchiest tunes and most fully realized lyrics to date. Deerhunter’s brand new album, Halcyon Digest, further tones down the noise and ramps up the vocals. We recently probed Cox’s complex mind to learn about the music he listens to in the privacy of his own tour bus.

Mother Jones: What’s your favorite new or upcoming release, and why?

Bradford Cox: Avey Tare’s Down There, because it makes every day Halloween.

MJ: How about something way outside your genre?

BC: Janelle Monae’s The ArchAndroid, because I like good music.

MJ: Shuffle your iPod for me and name the first five songs that pop up.

BC: 1. Oval, “Zetrick”
2. Pavement, “Cut Your Hair”
3. Neil Young, “Roll Another Number (for the Road)”
4. Quixotic, “On My Own”
5. XTC, “Generals and Majors”

MJ: What’s the latest song, good or bad, that super-glued itself in your brain?

BC: Yes, “Owner of a Lonely Heart”

MJ: Three records you never get sick of listening to?

BC: 1. Stereolab, Cobra and Phases Play Voltage in the Milky Night
2. Storm and Stress, Under Thunder and Fluorescent Lights
3. Steve Reich, Drumming

MJ: Favorite holiday-related song or album?

BC: Dream Syndicate’s Halloween

MJ: Favorite politically themed song or album?

BC: Madonna, Like a Prayer

MJ: Got any guilty pleasures—something you like to listen to but don’t like to admit it?

BC: Glenn Beck’s voice. While I’m beating off.

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WHO DOESN’T LOVE A POSITIVE STORY—OR TWO?

“Great journalism really does make a difference in this world: it can even save kids.”

That’s what a civil rights lawyer wrote to Julia Lurie, the day after her major investigation into a psychiatric hospital chain that uses foster children as “cash cows” published, letting her know he was using her findings that same day in a hearing to keep a child out of one of the facilities we investigated.

That’s awesome. As is the fact that Julia, who spent a full year reporting this challenging story, promptly heard from a Senate committee that will use her work in their own investigation of Universal Health Services. There’s no doubt her revelations will continue to have a big impact in the months and years to come.

Like another story about Mother Jones’ real-world impact.

This one, a multiyear investigation, published in 2021, exposed conditions in sugar work camps in the Dominican Republic owned by Central Romana—the conglomerate behind brands like C&H and Domino, whose product ends up in our Hershey bars and other sweets. A year ago, the Biden administration banned sugar imports from Central Romana. And just recently, we learned of a previously undisclosed investigation from the Department of Homeland Security, looking into working conditions at Central Romana. How big of a deal is this?

“This could be the first time a corporation would be held criminally liable for forced labor in their own supply chains,” according to a retired special agent we talked to.

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And it is only because Mother Jones is funded primarily by donations from readers that we can mount ambitious, yearlong—or more—investigations like these two stories that are making waves.

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