The Wit and Rhetoric of a Small-Town Preacher

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Farm Fresh: Our stated goal of living off the land has been more or less dead on arrival. But we did pick up this delicious peach outside Bedford, Kentucky (Photo: Tim Murphy).Farm Fresh: Our stated goal of living off the land has been more or less dead on arrival. But we did pick up this delicious peach outside Bedford, Kentucky (Photo: Tim Murphy).Glasgow, Kentucky—There isn’t much going on in Glasgow between the hours of 12 in the morning and 12 the next morning. You might come in for lunch from some lesser part of Barren County (“The #1 county to live in in rural America”) or you might have some official business at the county seat, but the town’s economic pulse has, for the most part, followed small town America’s late 20th-century migration from Main Street to the commercial sprawl outside town, near the junction of four major state highways. When we arrive, the Democratic Party Headquarters is closed, indefinitely by the looks of it. The “Pawn Again” shop is closed. The Highland Games, Inc. office is closed, and doesn’t really have much reason to re-open for a few months at least, since the Highland Games come but once a year. Everything is closed for the night—save for the front steps of the Courthouse on the main square, where a man called “Pastor Ricky” is overseeing a Wednesday night revival meeting.

It’s a small crowd, maybe 30 people, of all ages but with an emphasis on the older vintages. I can’t stick around to see Pastor Ricky, but since I’m fascinated by the rhetorical stylings of country evangelists, and since this is really the main event on a Wednesday night in Glasgow, Kentucky, I’ll just give you a quick sketch of his understudy, a man whom Pastor Ricky introduces as “the best preacher this side of Glasgow.”

The best way to understand our man is to imagine that he’s being remixed by an overly caffeinated hip-hop producer. “Amen” and “Praise the Lord” (say it all together, like praisetheLord), and “Praise God” and “Say a prayer” are his samples, which he injects at the end of most sentence fragments, like a hook from an old Bowie song. When he’s feeling it—and that’s often enough—he’ll string them together, jabbing with one, then another, and then back again, while his flock all the while jumps in on the chorus (sometimes literally jumping, as the situation dictates): Amen—amen. PraisetheLord amen. Amen—amen. And so on and so forth. You don’t get to become the best preacher this side of Glasgow without a little touch of cadence.

Every once in a while, our preacher will invoke Pastor Ricky—”ain’t that right, Pastor Ricky? Amen. Amen, praisetheLord, Pastor Ricky.” And then Pastor Ricky will go back to thumbing through his big book, tapping his right foot, and staring straight ahead, getting his head right.

When making any sort of complex argument, it’s always important to acknowledge the other viewpoints, if only to summarily dismiss them: “I’m not preaching Muhammad, or any—or Rev’ren Moon, or any other—amen—I’m preaching the gospel of Jesus Christ—amen—Are you believing in Him today?—amen—Everybody who knocks on the door shall be let in—amen—All that believes shall come to me—amen—ain’t you glad you come to me?—amen. Amen, praisetheLord—amen.”

Our man has a script of sorts, or at least a notebook he keeps flipping through, but you’re cheating yourself if you stick to the script when the spirit’s flowing through you. “At the Last Days praisetheLord and I believe there is a Last Days praisetheLord“—here he’s interrupted by an epiphany: “whooo-oo! It’s hot—praisetheLord, aaaaymen-praisethelord.”

Amen. Get off me, bug! One time a man was up preachin’ and a bug went up in his mouth, he said ‘He was lost and I done took him in.’ PraisetheLord amen.”

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WHO DOESN’T LOVE A POSITIVE STORY—OR TWO?

“Great journalism really does make a difference in this world: it can even save kids.”

That’s what a civil rights lawyer wrote to Julia Lurie, the day after her major investigation into a psychiatric hospital chain that uses foster children as “cash cows” published, letting her know he was using her findings that same day in a hearing to keep a child out of one of the facilities we investigated.

That’s awesome. As is the fact that Julia, who spent a full year reporting this challenging story, promptly heard from a Senate committee that will use her work in their own investigation of Universal Health Services. There’s no doubt her revelations will continue to have a big impact in the months and years to come.

Like another story about Mother Jones’ real-world impact.

This one, a multiyear investigation, published in 2021, exposed conditions in sugar work camps in the Dominican Republic owned by Central Romana—the conglomerate behind brands like C&H and Domino, whose product ends up in our Hershey bars and other sweets. A year ago, the Biden administration banned sugar imports from Central Romana. And just recently, we learned of a previously undisclosed investigation from the Department of Homeland Security, looking into working conditions at Central Romana. How big of a deal is this?

“This could be the first time a corporation would be held criminally liable for forced labor in their own supply chains,” according to a retired special agent we talked to.

Wow.

And it is only because Mother Jones is funded primarily by donations from readers that we can mount ambitious, yearlong—or more—investigations like these two stories that are making waves.

About that: It’s unfathomably hard in the news business right now, and we came up about $28,000 short during our recent fall fundraising campaign. We simply have to make that up soon to avoid falling further behind than can be made up for, or needing to somehow trim $1 million from our budget, like happened last year.

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