Ebony Bones, Freak-Soul Sensation

Photo Courtesy of Joseph Paul

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UK freak-soul wunderkind Ebony Bones is a woman possessed. Last Thursday I caught her intergalactic spectacle at San Francisco’s Popscene where it immediately wrangled me into its dance-inducing Funkadelic voodoo spell à la George Clinton. The wide-eyed songstress pushed onstage looking like a multicolored cartoon superheroine in her leopard-print space suit, purple and pink prosthetic lashes, hot pink tights, green boots, and large golden fro.

Bones’ hour-plus set presented a psychedelic, psychic exorcism of electro-buzz, tribal beats, African punk, and FUN! Backed by two dolled-up singers prone to uncontrolled convulsions, she performed her hits “W.A.R.R.I.O.R.” and “We Know All About U,” along with a crowd-rousing cover of Pink Floyd’s “Another Brick in The Wall (Part 2).” At one point, unable to find her signature cowbell, Bones exclaimed, “Where the fuck is it?” before erupting into hypnotic, torso-pumping gyrations. Flanked by her backup musicians, she even busted out a little voguing number, which you should witness here.

Also on the bill was fellow UK intercultural phenomenon VV Brown—who mixes rockabilly, ska, R&B, Auto-Tune, gongs, and a cadre of tribal instruments into a rich sonic jambalaya stew. There’s definitely a melting pot of genres brewing in Britain’s multicultural waters that involves fierce identity statements (think M.I.A. and the Noisettes; this fresh dance party is being led by intelligent feminists).

Bones’ debut, Bone of My Bones, is due out in May in America, but she’s already garnered buzz in the States as one of the best new acts at South By Southwest and earned herself a writeup in Rolling Stone. Fashion-wise, some bloggers are calling her the next Lady Gaga—although a black Karen O, or maybe Ari Up from The Slits, is probably more appropriate. In any case, no single narrative can contain—or explain—the mashup appeal of this English wildwoman. In the video below, she makes an entrance at South x Southwest.

 

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WHO DOESN’T LOVE A POSITIVE STORY—OR TWO?

“Great journalism really does make a difference in this world: it can even save kids.”

That’s what a civil rights lawyer wrote to Julia Lurie, the day after her major investigation into a psychiatric hospital chain that uses foster children as “cash cows” published, letting her know he was using her findings that same day in a hearing to keep a child out of one of the facilities we investigated.

That’s awesome. As is the fact that Julia, who spent a full year reporting this challenging story, promptly heard from a Senate committee that will use her work in their own investigation of Universal Health Services. There’s no doubt her revelations will continue to have a big impact in the months and years to come.

Like another story about Mother Jones’ real-world impact.

This one, a multiyear investigation, published in 2021, exposed conditions in sugar work camps in the Dominican Republic owned by Central Romana—the conglomerate behind brands like C&H and Domino, whose product ends up in our Hershey bars and other sweets. A year ago, the Biden administration banned sugar imports from Central Romana. And just recently, we learned of a previously undisclosed investigation from the Department of Homeland Security, looking into working conditions at Central Romana. How big of a deal is this?

“This could be the first time a corporation would be held criminally liable for forced labor in their own supply chains,” according to a retired special agent we talked to.

Wow.

And it is only because Mother Jones is funded primarily by donations from readers that we can mount ambitious, yearlong—or more—investigations like these two stories that are making waves.

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