The Fake Web Site As Promotional Tool

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Buy n Large

In this day and age, with cynical tweens skimming past ads on their Tivos, it’s tougher than ever to come up with advertising that actually reaches the target consumer. Not surprisingly, movies and TV shows are at the forefront of a kind of viral internet promotion that’s almost an extension of the creative work itself: the fake Web site for a fictional organization. ABC’s “Lost” was one of the first to try this out, creating a site for The Hanso Foundation as part of the show’s mythology; the site’s calming turquoise palette and new age-y music struck a perfectly creepy tone.

Now, two upcoming films have created fake company sites, with varying degrees of creative success: first of all, the highly-anticipated “Cloverfield” project (from “Lost” producer J. J. Abrams) which may or may not be a new Godzilla movie, has spawned a website for the Tagruato Corporation, a deep-sea drilling concern whose subsidiaries include, bafflingly, the Slusho! drink company, or as they put it, “Slusho! brand happy drink is a icy cool beverage… [that] contains a “special ingredient” that customers can’t get enough of.” Hmm, what could this have to do with Godzilla? Even though the movie’s hand-held trailer (watch it below) was pretty awesome, I’m not obsessed enough with this to really understand what’s going on here.

Trailer for “Cloverfield” (“1-18-08”)

A little more entertaining for the casual fan is Pixar’s fake site for its upcoming robot movie, “WALL-E”. The film is set some time in the future, and a single corporation apparently builds and owns just about everything. The company is called, awesomely, “Buy n Large,” and its Web site is hours of fun. From the perfectly-calibrated corporate-speak (“…by visiting the Buy n Large web site you instantaneously relinquish all claims against the Buy n Large corporation…”) to the “World News” stories about floating cities and ads for the mood-altering drug “Xanadou” (“effortlessly feel like you’ve just purchased that once-in-a-lifetime item!”), the site is both a stand-alone parody of corporate America and an intriguing teaser for the movie. There’s a couple places you might want to call David Foster Wallace (“Buy n Large to brand direction ‘North'”) but the story on “Pix-Vue” Animation Studio’s new “4-D” film is priceless. And I totally need that laundry robot and the 1,000,000-zettabyte hard drive, like, right now. Considering the movie looks like another cutesy romp with big-eyed creatures on some sort of quest, this site might be the best part of the whole deal.

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WHO DOESN’T LOVE A POSITIVE STORY—OR TWO?

“Great journalism really does make a difference in this world: it can even save kids.”

That’s what a civil rights lawyer wrote to Julia Lurie, the day after her major investigation into a psychiatric hospital chain that uses foster children as “cash cows” published, letting her know he was using her findings that same day in a hearing to keep a child out of one of the facilities we investigated.

That’s awesome. As is the fact that Julia, who spent a full year reporting this challenging story, promptly heard from a Senate committee that will use her work in their own investigation of Universal Health Services. There’s no doubt her revelations will continue to have a big impact in the months and years to come.

Like another story about Mother Jones’ real-world impact.

This one, a multiyear investigation, published in 2021, exposed conditions in sugar work camps in the Dominican Republic owned by Central Romana—the conglomerate behind brands like C&H and Domino, whose product ends up in our Hershey bars and other sweets. A year ago, the Biden administration banned sugar imports from Central Romana. And just recently, we learned of a previously undisclosed investigation from the Department of Homeland Security, looking into working conditions at Central Romana. How big of a deal is this?

“This could be the first time a corporation would be held criminally liable for forced labor in their own supply chains,” according to a retired special agent we talked to.

Wow.

And it is only because Mother Jones is funded primarily by donations from readers that we can mount ambitious, yearlong—or more—investigations like these two stories that are making waves.

About that: It’s unfathomably hard in the news business right now, and we came up about $28,000 short during our recent fall fundraising campaign. We simply have to make that up soon to avoid falling further behind than can be made up for, or needing to somehow trim $1 million from our budget, like happened last year.

If you can, please support the reporting you get from Mother Jones—that exists to make a difference, not a profit—with a donation of any amount today. We need more donations than normal to come in from this specific blurb to help close our funding gap before it gets any bigger.

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