July 10, 2014

“Cosmos” Just Got Nominated for 12 Emmys

The Neil deGrasse Tyson fronted remake of Carl Sagan’s paean to the universe is looking like a big hit with Emmy voters. Bring it, “True Detective”!

Fox/National Geographic Channel

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It was a truly groundbreaking moment in television. Educationally driven science content was once anathema on primetime television, but earlier this year, Seth MacFarlane, Neil deGrasse Tyson and company set out to prove that wrong with Cosmos: A Spacetime Odyssey, a remake of the classic Carl Sagan-hosted show from 1980.

And if today’s Emmy nominations mean anything, the result is a major triumph. Cosmos has received 12 of them.

That’s not quite as good as the 19 for Game of Thrones, or 16 for Breaking Bad, but it’s a very significant number, and it includes nominations for “Outstanding Documentary Or Nonfiction Series,” “Outstanding Writing for Nonfiction Programming” (for writers Ann Druyan and Steven Soter), “Outstanding Direction for Nonfiction Programming” (for director Brannon Braga).

In fact, that’s actually a tie with HBO’s True Detective, which also got 12 nominations.

Recently, I interviewed Neil DeGrasse Tyson, the face of the new show, who remarked on how to interpret its success. “You had entertainment writers putting The Walking Dead in the same sentence as Cosmos,” said Tyson. “Game of Thrones in the same sentence of Cosmos. ‘How’s Cosmos doing against Game of Thrones?’ That is an extraordinary fact, no matter what ratings it earned.”

The Emmy nominations will certainly give entertainment writers another such opportunity. In fact, it’s already happening. And when a science television show is celebrated by the deacons of popular culture, that can only be good news for the place of science in American society. (Note: the Showtime climate change documentary Years of Living Dangerously also received 2 Emmy nominations.)

The Cosmos nominations are for:

Outstanding Documentary Or Nonfiction Series

Outstanding Writing for Nonfiction Programming

Outstanding Direction for Nonfiction Programming

Outstanding Art Direction for Variety, Nonfiction, Reality or Reality Competition Program

Outstanding Cinematography for Nonfiction Programming

Outstanding Picture Editing for Nonfiction Programming

Outstanding Main Title Design

Outstanding Musical Composition for a Series (Original Dramatic Score)

Outstanding Original Main Title Theme Music

Outstanding Sound Editing for Nonfiction Programming (Single or Multi-Camera)

Outstanding Sound Mixing for Nonfiction Programming and

Outstanding Special and Visual Effects.

The full list of Emmy nominations can be found here.

To listen to our Inquiring Minds podcast interview with Neil deGrasse Tyson, you can stream below:

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Like another story about Mother Jones’ real-world impact.

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“This could be the first time a corporation would be held criminally liable for forced labor in their own supply chains,” according to a retired special agent we talked to.

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WHO DOESN’T LOVE A POSITIVE STORY—OR TWO?

“Great journalism really does make a difference in this world: it can even save kids.”

That’s what a civil rights lawyer wrote to Julia Lurie, the day after her major investigation into a psychiatric hospital chain that uses foster children as “cash cows” published, letting her know he was using her findings that same day in a hearing to keep a child out of one of the facilities we investigated.

That’s awesome. As is the fact that Julia, who spent a full year reporting this challenging story, promptly heard from a Senate committee that will use her work in their own investigation of Universal Health Services. There’s no doubt her revelations will continue to have a big impact in the months and years to come.

Like another story about Mother Jones’ real-world impact.

This one, a multiyear investigation, published in 2021, exposed conditions in sugar work camps in the Dominican Republic owned by Central Romana—the conglomerate behind brands like C&H and Domino, whose product ends up in our Hershey bars and other sweets. A year ago, the Biden administration banned sugar imports from Central Romana. And just recently, we learned of a previously undisclosed investigation from the Department of Homeland Security, looking into working conditions at Central Romana. How big of a deal is this?

“This could be the first time a corporation would be held criminally liable for forced labor in their own supply chains,” according to a retired special agent we talked to.

Wow.

And it is only because Mother Jones is funded primarily by donations from readers that we can mount ambitious, yearlong—or more—investigations like these two stories that are making waves.

About that: It’s unfathomably hard in the news business right now, and we came up about $28,000 short during our recent fall fundraising campaign. We simply have to make that up soon to avoid falling further behind than can be made up for, or needing to somehow trim $1 million from our budget, like happened last year.

If you can, please support the reporting you get from Mother Jones—that exists to make a difference, not a profit—with a donation of any amount today. We need more donations than normal to come in from this specific blurb to help close our funding gap before it gets any bigger.

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