Costume Play at San Diego’s Comic-Con

“Cosplay,” short for costume play, started in Japan and has made its way into San Diego’s Comic-Con.


I’ll admit it: I’m a comic-book geek. I’ve been a card-carrying member since age 10. Around the age of 12, my mother let me loose upon the San Diego Comic Book Convention to run amok for four days with other geeks. Twenty-six years later (you do the math), I still make the annual pilgrimage down to San Diego. Except now, the Con has grown so much that the crowd is large enough to fill a convention center the size of two battleships.

A few years ago, I started to notice that more people were showing up at the convention in costumes. Many belong to a community called “Cosplay“—short for costume play. Cosplay was a trend that started in Japan, with kids making their own costumes based on their favorite anime characters. The fad made its way to America, and more importantly, to the comic-book world.

People sometimes spend years stitching, suturing, and hot-glue-gunning their character-inspired costume. It’s a fascinating culture. This year, comic book and Pixar story artist Scott Morse and his friends put together a small convention of their own called Trickster, located directly across the street from Comic-Con (at a wine bar, even). Wearied Con-goers sought refuge at the less chaotic Trickster and got a chance to hangout with artists, who were on-site to draw and sell some of their personal artwork. The folks at Trickster were kind enough to give me a small space to set up a makeshift photo studio. This is a sampling of the colorful Cosplayers and comic book artists I photographed that day.

Bub-A-Fett (original character by the creator)
 

Captain Deadpool
 

Killer Frost
 

Vampirella
 

Echo IV
 

The Joker (from the movie The Dark Knight)
 

Wonder Woman
 

Tony Stark
 

Thane Krios (from the video game Mass Effect)
 

Ahsoka Tano
 

Amber (from the movie Sucker Punch)
 

Original character by the creator.
 

Obi-Wan Kenobi
 

Zombie Solder (from the movie Sucker Punch)
 

Original character by the creator
 

Ghostbuster
 

Ghost (from the video game Call Of Duty)
 

Open-Throat (a cenobite from the movie Hellraiser)
 

Original character by the creator
 

Thor
 

The Green Man (from the TV show “It’s Always Sunny In Philadelphia”)
 

Victim from the movie Saw
 

Original character by the creator

 

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WHO DOESN’T LOVE A POSITIVE STORY—OR TWO?

“Great journalism really does make a difference in this world: it can even save kids.”

That’s what a civil rights lawyer wrote to Julia Lurie, the day after her major investigation into a psychiatric hospital chain that uses foster children as “cash cows” published, letting her know he was using her findings that same day in a hearing to keep a child out of one of the facilities we investigated.

That’s awesome. As is the fact that Julia, who spent a full year reporting this challenging story, promptly heard from a Senate committee that will use her work in their own investigation of Universal Health Services. There’s no doubt her revelations will continue to have a big impact in the months and years to come.

Like another story about Mother Jones’ real-world impact.

This one, a multiyear investigation, published in 2021, exposed conditions in sugar work camps in the Dominican Republic owned by Central Romana—the conglomerate behind brands like C&H and Domino, whose product ends up in our Hershey bars and other sweets. A year ago, the Biden administration banned sugar imports from Central Romana. And just recently, we learned of a previously undisclosed investigation from the Department of Homeland Security, looking into working conditions at Central Romana. How big of a deal is this?

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And it is only because Mother Jones is funded primarily by donations from readers that we can mount ambitious, yearlong—or more—investigations like these two stories that are making waves.

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