Pride and Prejudice

A selection of ’70s ads depicting African Americans.


“Unbranded” is a series of images taken from magazine advertisements targeting a black audience or featuring black subjects, which I digitally manipulated and appropriated. In this work-in-progress project that will ultimately span from 1969 through the present, I have removed all aspects of advertising information, e.g., text, logos, in order to reveal what is being sold. Nothing more has been altered. I believe that in part, advertising’s success rests on its ability to reinforce generalizations around race, gender, and ethnicity that can be entertaining, sometimes true, and sometimes horrifying, but which at a core level are a reflection of the way a culture views itself or aspirations. By “Unbranding” advertisements I can literally expose what Roland Barthes refers to as “what-goes-without-saying” in ads, and hopefully encourage viewers to look harder and think deeper about the empire of signs that have become second nature to our experience of life in the modern world.

Who Can Say No to a Gorgeous Brunette (1970/2007)
 

Pucker Up! (1972/2008)
 

Kama Mama, Kama Binti (Like Mother, Like Daughter) 1971/2008
 

We Are On Our Way (1970/2008)
 

Can You Dig It? (1974/2007)
 

Are You the Right Kind of Woman For It? (1974/2007)
 

“Smokin Joe Ain’t Je’mama” (1978/2006)
 

The Johnson Family Portrait (1981/2006)

 

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WHO DOESN’T LOVE A POSITIVE STORY—OR TWO?

“Great journalism really does make a difference in this world: it can even save kids.”

That’s what a civil rights lawyer wrote to Julia Lurie, the day after her major investigation into a psychiatric hospital chain that uses foster children as “cash cows” published, letting her know he was using her findings that same day in a hearing to keep a child out of one of the facilities we investigated.

That’s awesome. As is the fact that Julia, who spent a full year reporting this challenging story, promptly heard from a Senate committee that will use her work in their own investigation of Universal Health Services. There’s no doubt her revelations will continue to have a big impact in the months and years to come.

Like another story about Mother Jones’ real-world impact.

This one, a multiyear investigation, published in 2021, exposed conditions in sugar work camps in the Dominican Republic owned by Central Romana—the conglomerate behind brands like C&H and Domino, whose product ends up in our Hershey bars and other sweets. A year ago, the Biden administration banned sugar imports from Central Romana. And just recently, we learned of a previously undisclosed investigation from the Department of Homeland Security, looking into working conditions at Central Romana. How big of a deal is this?

“This could be the first time a corporation would be held criminally liable for forced labor in their own supply chains,” according to a retired special agent we talked to.

Wow.

And it is only because Mother Jones is funded primarily by donations from readers that we can mount ambitious, yearlong—or more—investigations like these two stories that are making waves.

About that: It’s unfathomably hard in the news business right now, and we came up about $28,000 short during our recent fall fundraising campaign. We simply have to make that up soon to avoid falling further behind than can be made up for, or needing to somehow trim $1 million from our budget, like happened last year.

If you can, please support the reporting you get from Mother Jones—that exists to make a difference, not a profit—with a donation of any amount today. We need more donations than normal to come in from this specific blurb to help close our funding gap before it gets any bigger.

payment methods

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