I am continuing to play around with Photoshop’s panorama capability, mainly to figure where it works best and how best to use it. The picture below shows Frank Gehry’s famous Walt Disney Concert Hall in downtown Los Angeles on the right, along with the ongoing construction of The Grand, a billion-dollar mega-development, on the left.

As a photo this isn’t much, but as a demonstration it’s great. This is a full 180-degree view taken from the middle of the crosswalk on Grand Avenue looking south, and there’s no other way to get this view. If you back up—which you can’t anyway—you’ll lose the angle that shows the fronts of both buildings. If you don’t back up, you can’t include the whole scene even with an extreme wide-angle lens. You could do it from the Goodyear blimp, I suppose, but only if you happen to have the pull to get a ride.¹

As always with any extreme wide-angle shot, the price you pay is distortion. You can fix a lot of it, but never all of it. Grand Avenue, for example, is a straight line but displays as curved. The near building under construction is obviously distorted even though I corrected much of it. And the concert hall—well, it’s such a mish-mash of curves and angles that you can’t tell if it’s distorted or not. In any case, this picture provides a good view of what’s actually going on, something that’s all but impossible to get any other way.

¹If you do, please let me know. I’d love to get a ride on the Goodyear blimp.

September 19, 2020 — Los Angeles, California

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WE CAME UP SHORT.

We just wrapped up a shorter-than-normal, urgent-as-ever fundraising drive and we came up about $45,000 short of our $300,000 goal.

That means we're going to have upwards of $350,000, maybe more, to raise in online donations between now and June 30, when our fiscal year ends and we have to get to break-even. And even though there's zero cushion to miss the mark, we won't be all that in your face about our fundraising again until June.

So we urgently need this specific ask, what you're reading right now, to start bringing in more donations than it ever has. The reality, for these next few months and next few years, is that we have to start finding ways to grow our online supporter base in a big way—and we're optimistic we can keep making real headway by being real with you about this.

Because the bottom line: Corporations and powerful people with deep pockets will never sustain the type of journalism Mother Jones exists to do. The only investors who won’t let independent, investigative journalism down are the people who actually care about its future—you.

And we hope you might consider pitching in before moving on to whatever it is you're about to do next. We really need to see if we'll be able to raise more with this real estate on a daily basis than we have been, so we're hoping to see a promising start.

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